![]() ![]() One artwork, painted at an ant's-eye-view of a naked woman that shows pubic hair and breasts, is shown many times in the film.ĭirector Paul Feig, screenwriter Jessica Sharzer, and company have hit on a new genre - the Cute Noir - and they've done it with style, humor, and a spicy sprinkling of nerve. Nudity is only shown through nude art, such as drawings of naked breasts and torsos. It's not very detailed/lifelike, but the tip and the balls are clearly visible. Sex and sexual pleasure is shown quite commonly, but any sex scenes are only shot from the waist-up, and the camera focuses on the thrusts and pleasure on the character's faces. ![]() Emily and Sean's relationship is openly lustful, and the two make out in front of Stephanie in a scene. This movie contains quite a lot of somewhat graphic sexual content. Emily Nelson is reckless and an expert con-woman, who leads many false lives throughout the film. In one instance, when she finds out that Stephanie slept with her half-brother, Emily creates the phrase "brotherf**ker", which is used quite often throughout the film. She's a toxic friend, swears quite often, isn't really that good of a parent and is also an alcoholic. The hookup with the husband is a bit of gray area, to be honest, because he'd just found out that his wife had died and was emotionally unstable.Įmily Nelson is probably the worst role model in the film. However, she's not perfect, having incestual sex with her half-brother and then with her best friend Emily Nelson's (married) husband, Sean Townsend. Anna Kendrick's character, Stephanie Smothers, is probably the most positive role model, being an amazing single mum. As a 14 year old who watched this, I think it was really good.
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